Authentic materials
What the invoice says is what the parcel contains. Metal is assayed, stones are identified, and nothing is described optimistically.
Manufacturing
Four hundred square metres in Jaipur where wax is cut, metal is poured, stones are set by hand and every piece is looked at through a loupe by somebody who did not make it.
The floor
Most manufacturers in this trade are assemblers. The casting is subcontracted, the setting goes to a bench two streets away, the plating to a third party who also does hardware fittings. Each handoff adds a week and removes somebody's accountability.
We took the opposite decision at the outset and have not regretted it. Casting, setting, lapidary, plating and quality control are all our own people on our own floor. When something goes wrong we can walk twenty metres and look at it, which is why our remake rate is where it is.
Concept to carton
Drag the track. Every stage below happens in Jaipur, under the same roof and the same supervisor, which is the only reason we can promise a date and mean it.
A brief becomes a direction. We argue about proportion, wearability and price band before anything is drawn properly.
Hand drawing goes to parametric CAD. You get turntable renders and a stone plot to sign off before wax is cut.
Resin print, cast, and a first article finished to production standard — the piece you approve is the piece you receive.
Parcels are pulled, laid out under standard light and matched across the run for colour, cut and depth.
Casting, filing, setting and assembly. Work is batched by operation so a run stays consistent piece to piece.
Pre-polish, setting-back, final polish and plating. The stage that separates a good casting from a finished jewel.
Six gates, ten-power loupe, weight and dimension logged against the approved article. Failures return to bench, not to you.
Individually pouched, boxed to your specification, and carton-packed with a manifest that matches the invoice line for line.
Insured and documented to your door — customs paperwork, assay certificates and lab reports travelling with the goods.
Capability
Twelve disciplines under one roof in Jaipur, which is why a piece never leaves the building to have one thing done to it and come back a fortnight later.
Your drawing, your reference photograph, or a conversation and a napkin. We take the idea to a wearable first article and then to a repeatable run.
ExploreMade under your name from the first wax. Your hallmark, your inner-shank stamp, your box and your papers — our bench stays invisible.
ExploreCalibrated goods matched across a run, or a single exceptional stone hunted down. Jaipur is the world's cutting floor and we work it daily.
ExploreRhodium, ruthenium, yellow and rose flashes laid down to a stated micron thickness and verified, not eyeballed against a colour card.
ExploreHeavy gold over sterling, plated to a genuine 2.5 micron floor on a nickel-free base — vermeil that survives a season of real wear.
ExploreNatural and lab-grown, pointers through solitaires, pavé and channel and bezel. Melee matched by colour and cut within the parcel.
ExploreAkoya, freshwater, Tahitian and South Sea, drilled and knotted in-house. Graded for lustre and nacre before a single strand is strung.
Explore925 as standard, anti-tarnish alloys where a market demands it, and casting fine enough to hold a hallmark on a two-millimetre shank.
ExploreCold, hard-fired and champlevé. Colour matched to your reference chip and fired to a depth that will not chip at the shoulder.
ExploreIntaglio, cameo, cabochon and fantasy cuts carved on our own lapidary wheels — mother-of-pearl, onyx, malachite, carnelian, jade.
ExploreMoissanite, CZ and lab corundum cut and set to the same tolerances as the natural goods, for programmes that need the look at a price.
ExploreClasps, posts, backs, bails and chain made to your gauge so a repair or a re-order ten seasons out still matches the original.
ExploreAssurance
Quality control that reports separately from production, because an inspector who answers to the person whose numbers he is checking is not an inspector.
What the invoice says is what the parcel contains. Metal is assayed, stones are identified, and nothing is described optimistically.
Qualifying stones ship with IGI, GIA or GJEPC paperwork. Below the certification threshold we issue our own signed identification.
Wax, casting, pre-set, post-set, finish and pack. Each gate is signed, and a rejection goes back to bench with the reason attached.
Recycled metal as the default feedstock, closed-loop polishing sludge recovery, and no child or bonded labour anywhere in the chain.
Kimberley-compliant rough, named cutting houses, and a supplier list we will show you rather than describe.
A shared production tracker with photographs at each gate. You can see where your order stands without asking for an update.
Quoted lead times carry a stated confidence, and if a date is going to slip you hear it from us before it does.
Off this floor
Every one of these was cast, set, finished and inspected in Jaipur under the same roof.
Begin
Send a sketch, a reference photograph or a paragraph describing what you have in mind. You will get a costed, itemised response from a person who has read it — usually inside two working days.