The House

The journal

Notes from the bench

On inclusions, on eleven-week cuffs, on why the least showy stone in the vault outsells the rest.

Why an emerald’s flaws are its certificate
Materials

Why an emerald’s flaws are its certificate

Almost every emerald contains inclusions. The trade calls them jardin — garden — and a stone without them is more suspicious than a stone with.

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The eleven weeks inside a diamond cuff
Craft

The eleven weeks inside a diamond cuff

Three hundred and forty-two stones, set by two people at a microscope. A record of how long luxury actually takes.

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Setting colour against gold: an argument the house keeps having
Design

Setting colour against gold: an argument the house keeps having

Yellow gold flatters warm stones and fights cold ones. Our head of design has been losing this argument, deliberately, for nine years.

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On the anatomical heart
Atelier

On the anatomical heart

The least explicable and most requested piece we make. A note on what people actually buy when they buy jewellery.

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One eternity band, three waters
Colour

One eternity band, three waters

London Blue, Swiss Blue and the white-gold original. The same nineteen stones behave like three different pieces.

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The case for the black diamond stud
Everyday

The case for the black diamond stud

Opaque, carbonado, and our best-selling earring by a distance. Why the least showy stone in the vault outsells the rest.

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Referenced above

The pieces in question

The house list

Notes, occasionally

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