No minimum order
A single sample and a thousand-piece run are quoted on the same terms. Nothing is gatekept behind volume.
Jaipur · Customized jewellery, made to order
We make it
for you
ANAGARI is a jewellery brand established four years ago, dedicated to creating jewellery that is as unique as the person wearing it. Every piece is thoughtfully customized to your preferences — from design and gemstones to metal, finish and engraving.
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No minimum orderEvery piece customized250+ gemstone varietiesPrivate labelConcept to carton26 export markets
The house
Jewellery as unique as
the person wearing it
ANAGARI is a jewellery brand established four years ago, dedicated to creating jewellery that is as unique as the person wearing it. Every piece is thoughtfully customized according to the customer's preferences, from design and gemstones to metal, finish, and engraving.
We believe jewellery should tell your story, which is why every creation is crafted exclusively for you with exceptional attention to detail and craftsmanship. Nothing here is priced on a shelf, because nothing here is made twice the same way — pricing and booking follow the conversation about what you actually want.
How we work
Terms before flourishes
The things a production partner should be able to state plainly, stated plainly.
Made only to order
Nothing is made speculatively. Every piece is customized to the person it is for, from design and stones through to engraving.
250+ stone varieties
A working stone library held in-house, so a substitution is answered the same afternoon, not the next month.
Assured at every gate
Six signed inspection points between wax and packing.
Shipped worldwide
Consolidated, insured and documented to twenty-six markets.
Responsibly made
Recycled metal by default and audited stone channels.
Certified materials
Assayed alloys and lab reports travelling with the parcel.
Costed in the open
Metal, stone, labour and finishing broken out in full.
Capability
What the bench does
Twelve disciplines under one roof in Jaipur, which is why a piece never leaves the building to have one thing done to it and come back a fortnight later.
Custom manufacturing
Your drawing, your reference photograph, or a conversation and a napkin. We take the idea to a wearable first article and then to a repeatable run.
ExplorePrivate label
Made under your name from the first wax. Your hallmark, your inner-shank stamp, your box and your papers — our bench stays invisible.
ExploreGemstone sourcing
Calibrated goods matched across a run, or a single exceptional stone hunted down. Jaipur is the world's cutting floor and we work it daily.
ExploreMicron plating
Rhodium, ruthenium, yellow and rose flashes laid down to a stated micron thickness and verified, not eyeballed against a colour card.
ExploreVermeil
Heavy gold over sterling, plated to a genuine 2.5 micron floor on a nickel-free base — vermeil that survives a season of real wear.
ExploreDiamond jewellery
Natural and lab-grown, pointers through solitaires, pavé and channel and bezel. Melee matched by colour and cut within the parcel.
ExplorePearl jewellery
Akoya, freshwater, Tahitian and South Sea, drilled and knotted in-house. Graded for lustre and nacre before a single strand is strung.
ExploreSterling silver
925 as standard, anti-tarnish alloys where a market demands it, and casting fine enough to hold a hallmark on a two-millimetre shank.
ExploreEnamel
Cold, hard-fired and champlevé. Colour matched to your reference chip and fired to a depth that will not chip at the shoulder.
ExploreCarved stone
Intaglio, cameo, cabochon and fantasy cuts carved on our own lapidary wheels — mother-of-pearl, onyx, malachite, carnelian, jade.
ExploreSubstitute stones
Moissanite, CZ and lab corundum cut and set to the same tolerances as the natural goods, for programmes that need the look at a price.
ExploreFindings and components
Clasps, posts, backs, bails and chain made to your gauge so a repair or a re-order ten seasons out still matches the original.
ExploreConcept to carton
Nine stages, one building
Drag the track. Every stage below happens in Jaipur, under the same roof and the same supervisor, which is the only reason we can promise a date and mean it.
01
Concept
A brief becomes a direction. We argue about proportion, wearability and price band before anything is drawn properly.
02
Design & CAD
Hand drawing goes to parametric CAD. You get turntable renders and a stone plot to sign off before wax is cut.
03
Prototype
Resin print, cast, and a first article finished to production standard — the piece you approve is the piece you receive.
04
Stone selection
Parcels are pulled, laid out under standard light and matched across the run for colour, cut and depth.
05
Production
Casting, filing, setting and assembly. Work is batched by operation so a run stays consistent piece to piece.
06
Finishing
Pre-polish, setting-back, final polish and plating. The stage that separates a good casting from a finished jewel.
07
Inspection
Six gates, ten-power loupe, weight and dimension logged against the approved article. Failures return to bench, not to you.
08
Packing
Individually pouched, boxed to your specification, and carton-packed with a manifest that matches the invoice line for line.
09
Delivery
Insured and documented to your door — customs paperwork, assay certificates and lab reports travelling with the goods.
Turn it over
Photographed from
every side
The Empress Halo was shot four times on a motorised table — front, quarter, profile and reverse. Drag it. The gallery underneath the stone, the way the shoulders taper, the finish on the inside of the shank: all of it is there, because all of it is on the piece.
Where a piece exists in only one photograph, we build the third dimension instead — the stone tilts, the light travels across the metal, the shadow moves with it.
Wedding & bridal
Two hundred and fourteen
stones per ear
The Diamond Cascade is four hinged tiers of rose-gold florets. It moves as one body of light, which is the entire point of an earring you will be photographed in for the rest of your life.
The emerald room
One stone,
endless arguments
Sixteen pieces in the book are built around emerald, and no two of them agree about what to do with it. Cluster it. Channel it. Cage it in diamond. Set one, two carats, alone, on a plain gold band and stop.
Almost every emerald contains inclusions. The trade calls themjardin— garden. A stone without them should make you suspicious.
The bespoke studio
Change the cut. Change the metal.
Watch the piece become yours.
Ten diamond shapes, seven carat weights, five colour grades, six clarities, four metals and seven centre stones. The preview redraws on every click.
Diamond shape
10 cuts, from round brilliant to heart
Carat weight
0.25 to 5.00 ct, in the seven steps the trade actually works to
Colour & clarity
D to H, IF to SI1 — the preview warms and clouds accordingly
Metal & engraving
Four metals, live engraving preview in the house italic
Trending
Best sellers
What people actually buy, as opposed to what we would like them to.
Curiosities
Editor's choice
The anatomical heart. A winged horse. A goddess in relief. The pieces that are difficult to explain and easy to sell.
97Pieces in the book
130Atelier photographs
11Weeks on the lattice cuff
∞Lifetime care, every piece
Craft
Four gates, one piece
Cast, set, polished, checked — and checked again. Each reference number is recorded against the setter and the polisher who worked on it, which is both a guarantee and a small act of accountability.
Inside the atelier
The journal
Notes from the bench
Why an emerald’s flaws are its certificate
Almost every emerald contains inclusions. The trade calls them jardin — garden — and a stone without them is more suspicious than a stone with.
Read
The eleven weeks inside a diamond cuff
Three hundred and forty-two stones, set by two people at a microscope. A record of how long luxury actually takes.
Read
Setting colour against gold: an argument the house keeps having
Yellow gold flatters warm stones and fights cold ones. Our head of design has been losing this argument, deliberately, for nine years.
ReadWhy houses stay
Ten reasons, honestly held
No minimum order
Every collection starts somewhere, and no house should have to commit to volume before the market has told it anything. Test at ten pieces, run at two thousand — the unit economics move, the terms never do.
One person, start to end
A single named production manager carries your order from the first conversation to the final airway bill. Nothing is handed between departments, so nothing is explained twice or lost in the gap between them.
Designs stay yours
Whatever is developed for you remains wholly your intellectual property, stated in writing at the engagement. It never enters our sample book, never appears at a fair, and is never re-cut for another buyer.
Bench-made, not assembled
Filing, setting and finishing are done by karigars who have spent decades at the same bench, not stepped down an assembly line. A machine-finished shoulder always reads as one, at every price point.
Delivery you can plan on
Lead times are quoted from real floor capacity rather than from what you would like to hear, and they carry a stated confidence. You hear about a slip from us before the date passes, not after.
Open costing
Metal, stone, labour and finishing arrive itemised rather than blended into a single rate. When gold moves you can see precisely what it did to your unit cost, and argue with the line that moved.
Technical problem-solving
Our engineering bench resolves the difficult constructions before production opens — a setting that will not hold, a shank that keeps failing, a stone that chips at the girdle. Solved at CAD, not discovered at gate four.
Direction, not just supply
We will tell you when a construction is wrong for the price band or the market, rather than quietly quoting what you asked for. What is moving in the halls we exhibit at gets shared before the season, not after it.
Long relationships
The majority of our volume goes to houses we have supplied for more than a decade, several past twenty years. Partnerships compound; transactions do not, and we have built the business on the former.
International standards
Manufacturing runs to globally accepted quality standards with documented inspection method and audited sourcing. Hallmarking, nickel release, REACH and Prop 65 are handled inside the job, never billed as consultancy.
Material expertise
What we will put in your hand
Ten material families we hold, cut, alloy or grade ourselves rather than broker. Each is described here as we would describe it to you on the phone — what it is genuinely good for, and what it costs you in exchange.
Natural gemstones
Emerald, ruby, sapphire, tourmaline, topaz, aquamarine, garnet, spinel and the long tail beyond. Ethically channelled and selected for consistency, brilliance and durability under setting — held as working parcels rather than printed in a catalogue.
Lab-grown stones
Optically and chemically identical to their mined equivalents, grown to order and traceable to the reactor. They give a programme the same beauty with far greater pricing flexibility and a stable cost across seasons.
Diamonds
Natural and CVD, D through K, IF through SI2, certified where the weight qualifies. Melee is matched inside the parcel for colour and cut so a pavé line reads as one continuous surface rather than a row of individuals.
Moissanite
Higher fire than diamond and hard enough for genuine daily wear. Cut on our own wheels to diamond tolerances, so a mount designed for one takes the other without retooling the setting.
Pearls
Akoya, freshwater, Tahitian and South Sea, graded on lustre first, then surface, then match across the strand. Drilled and knotted by hand on silk, so a strand hangs and wears the way it should.
Sterling silver
925 as standard with anti-tarnish alloys where a market asks for them. Cast fine and rigid enough to carry stones on a two-millimetre shank without flexing or losing a hallmark over years of wear.
Gold
9, 14 and 18 karat in yellow, white and rose, alloyed in-house rather than bought in. That is the only way colour stays identical between a January run and a September repeat of the same piece.
Vermeil
A genuine 2.5 micron gold layer over sterling on a nickel-free base, verified by measurement rather than judged against a colour card. Thick enough to survive a season of real wear and be worth the name.
Enamel
Hard-fired vitreous, champlevé and cold cure, colour-matched to a physical reference chip. Fired to a depth that sits flush with the metal and will not lift or chip at the shoulder.
Carved stones
Onyx, malachite, carnelian, mother-of-pearl, jade and lapis, carved and cabbed on our own lapidary wheels. Intaglio, cameo and fantasy cuts to your drawing, calibrated to the mount before it is cast.
Assurance
Nothing advances on
somebody's word
Quality control that reports separately from production, because an inspector who answers to the person whose numbers he is checking is not an inspector.
Authentic materials
What the invoice says is what the parcel contains. Metal is assayed, stones are identified, and nothing is described optimistically.
Certified stones
Qualifying stones ship with IGI, GIA or GJEPC paperwork. Below the certification threshold we issue our own signed identification.
Six inspection gates
Wax, casting, pre-set, post-set, finish and pack. Each gate is signed, and a rejection goes back to bench with the reason attached.
Responsible production
Recycled metal as the default feedstock, closed-loop polishing sludge recovery, and no child or bonded labour anywhere in the chain.
Ethical sourcing
Kimberley-compliant rough, named cutting houses, and a supplier list we will show you rather than describe.
Transparent workflow
A shared production tracker with photographs at each gate. You can see where your order stands without asking for an update.
Dates that hold
Quoted lead times carry a stated confidence, and if a date is going to slip you hear it from us before it does.
Export
Serving jewellery houses
across twenty-six markets
Consolidated, insured and documented from Jaipur. Hover a marker for what we actually ship there — the programmes differ far more by market than most people expect.
United States
New York · Dallas · Los Angeles
Our largest market. Bridal programmes, coloured-stone fashion and a steady private-label book.
Canada
Toronto · Vancouver
Sterling and vermeil at retail volume, with hallmarking to Canadian requirements.
United Kingdom
London · Birmingham
Assay-office hallmarking handled in-house before shipping to the Jewellery Quarter and beyond.
Germany
Pforzheim · Idar-Oberstein
Technically exacting accounts. Gauge tolerances tighter than anywhere else we ship.
France
Paris
Fine jewellery and high-polish finishing for houses on and around the Place Vendôme.
Italy
Vicenza · Milan
Chain, findings and carved stone into the country that taught everyone else how to do it.
Spain
Córdoba
Silver at volume — filigree-adjacent work and high-turn fashion programmes.
UAE
Dubai · Sharjah
High-karat yellow gold, bridal sets and rapid-turn re-orders for the Gold Souk trade.
Saudi Arabia
Riyadh · Jeddah
21K and 22K programmes, sized and finished to Gulf preference.
Australia
Sydney · Melbourne
Opal and sapphire settings, plus counter-seasonal bridal that balances our calendar.
Japan
Tokyo · Kofu
The most demanding finish standard we work to. Akoya strands and micro-pavé.
Hong Kong
Hong Kong SAR
Show-season sampling and the gateway for a good deal of our regional trade.
Singapore
Singapore
Bridal and gifting for a market that buys certified and asks good questions.
South Africa
Johannesburg · Cape Town
Coloured stone and a growing lab-grown diamond programme.
Brazil
São Paulo · Belo Horizonte
Tourmaline and imperial topaz come from here; a good deal of it goes back set.
Mexico
Mexico City · Guadalajara
Silver at scale, into a country with its own deep silver tradition.
United States
New York · Dallas · Los Angeles
Canada
Toronto · Vancouver
United Kingdom
London · Birmingham
Germany
Pforzheim · Idar-Oberstein
France
Paris
Italy
Vicenza · Milan
Spain
Córdoba
UAE
Dubai · Sharjah
Saudi Arabia
Riyadh · Jeddah
Australia
Sydney · Melbourne
Japan
Tokyo · Kofu
Hong Kong
Hong Kong SAR
Singapore
Singapore
South Africa
Johannesburg · Cape Town
Brazil
São Paulo · Belo Horizonte
Mexico
Mexico City · Guadalajara
Begin
Bring us the collection
you have been putting off
Send a sketch, a reference photograph or a paragraph describing what you have in mind. You will get a costed, itemised response from a person who has read it — usually inside two working days.